The CAME-7800 is an upgraded version of the old CAME-7500 and comes pre-assembled. The 7800 has an updated quick release plate with tool-less adjustments on the roll and yaw axis, making it easier to balance your camera on the gimbal. Although, you4reel doesn't state what type of lens he used, the CAME-7800 is able to hold more weight than our Mini 2 gimbal. It has a max payload of about 6.5 lbs and is perfect for your Canon 5D model DSLR cameras.
The CAME-Mini 2 is completely tool-less and has a sleek/compact body, making it extremely easy to carry around and hold. It's designed for compact setups for cameras like the Panasonic GH-4, BMPCC, Sony A7S and other mirror-less type cameras. The custom molded carrying case that the Mini 2 comes in, provides protection when you need to take the gimbal with you to different locations.The horizontal crossbar on the Mini 2 holds the four rechargeable 18650 batteries that power the gimbal.
Instagram user, kbarly, posted this quick clip from a video he shot using the #cametv #single #gimbal!
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TG Film & Photo, uploaded this test of him following his dog with the CAME-Single gimbal. He balanced his Sony A7SII with a Zeiss 16-35mm lens.
The CAME-Single is a one-handed basecam designed gimbal that utilizes encoder technology to increase the stability of the gimbal. The batteries are internal rechargeable batteries that can last up to 20 hours. The CAME-Single can hold camera setups that don't exceed 2.6 lbs, so its perfect for mirror-less cameras that are lightweight. In the first test video he uploaded, he was walking down a wobbly pontoon in the water to see if any of the bounce can be seen in the footage. Watch the video below! He also states that he didn't add any post-stabilization.
The new @cametv #Argo arrives. Well I have to admit that it works extremely well. Especially because it is using latest Basecam 32bit w/ Encoders. Lots of options like a dovetail quick release plate to mount the gimbal onto a jib, built-in wireless video transmitter, 15 mm rod to add your wireless follow focus , wireless joystick included, and a few other goodies. But how do you feel about the design choice lookin' like a DJI Ronin-M? #cametv #argo #gimbal.
Vimeo user, llija, uploaded this quick test CAME-TV 7800 gimbal test. The whole test was shot with the Nikon D600 plus a 17-35mm F.28 lens.
With a max payload of about 6.5 lbs, the CAME-7800 is perfect for DSLR cameras like the Canon 5D series, Nikon DSLRs and even Panasonic GH-4s with a heavier lens. The CAME-7800 comes pre-calibrated with a 32-bit Alexmos control board and is tool-less on the Roll and Yaw axis, making it easier for you to balance your setup on the gimbal. There are two different version of the CAME-7800 that you can purchase - the 7800 gimbal by itself or with a case and a balancing stand.
Vimeo user, Liszön, recently used the CAME-Mini 2 gimbal to shoot a music video for the song "Little War" by the band Spy From Moscow. It was shot using two BMPCC cameras and he would switch between three different lenses. Liszon, states that his Mini 2 setup used solely a Samyang 12mm F2 lens with his BMPCC and for the other handheld shots he used a Tamron 17-50mm and a Sigma 30mm.
The CAME-Mini 2 is completely tool-less and gives the shooter three different profiles to use. Profile 1 - enables follow mode on the pan and tilt, Profile 2 - allows follow mode on the pan (not the tilt) and Profile 3 - disables follow mode on the pan and tilt. All of the wiring and electronics are all completely enclosed in the frame of the CAME-Mini 2, which will prevent any wires from getting in the way while the gimbal is in use.
Going to try a completely another way of filming experience with @cametv gimbal and #sonyrx10.
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Vimeo user, PanoVerino, uploaded this quick video that he shot while he was on a trip over the weekend. All the aerials were shot with a DJI Phantom 3 and all the ground shots were filmed using the CAME-Single gimbal with his Sony A7SmkII + Sony 16-35mm F4 lens.
The CAME-Single provides the shooter with incredible stability, while also being extremely portable. It comes packed in a hard case with foam padding on the inside, making sure that the CAME-Single doesn't get damaged when you bring it to multiple shoots. Balancing your camera on the CAME-Single is easy due to the tool-less design and the quick release camera plate. The CAME-Single has a larger frame than most pistol-grip gimbals, allowing you to fully tilt the camera up and down.
Michaels Video and Wedding Cinema, posted this quick out of the box test of the CAME-TV GP-80Q Parallax Video Slider! He stated that he filmed it with his Panasonic G7 and mounted a cheap tripod head onto the slider for the test.
The GP-80Q comes with a parallax track attached in between the two main carbon fiber rods, allowing the slider to have automatic panning. There is one thumb knob on each end of the slider that will allow you to quickly adjust the parallax track for the type of slide you want to achieve. It weighs in at only 2.6 lbs and can hold a max payload of about 17.6 lbs.
There are two different version of the CAME-TV Carbon Fiber Parallax slider - the GP-80Q and the GP-120Q. The main difference is the overall length of the sliders, the GP-80Q is 80cm(2.6 ft.) and the GP-120Q is 120cm(3.9 ft.).