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Pano Verino, recently posted his second test of the CAME-Single paired with his Sony A7Sii! The video clocks in at about a minute, but it's filled with great shots that show the stability of the CAME-Single. No post stabilization was added.
The CAME-Single is designed to be lightweight, portable and easy to use with just one hand. It has a max payload of about 2.6lbs, making it perfect for cameras like the Sony A7S series, Panasonic GH4, BMPCC, etc. If you want to see Pano Verino's first test, check it out below!
For more information on the CAME-Single gimbal click below! Make sure to also sign up for our newsletter to receive updates and information on any new products we release.
Johnnie Behiri from Cinema5D.com recently posted his first impressions and footage of the Sony A7s II. Johnnie Behiri is a BBC freelance cameraman/editor who also films documentaries, commercials, music videos and many other projects.
In the video above, Johnnie, states that he was trying to squeeze “normal footage”, “lowlight” and “slow-motion” parts into one video." In the moving shots Johnnie used our CAME-TV Single Handheld 3-axis gimbal, with the Sony A7sII and Sony 16-35mm lens, which he said was his preferred gimbal.
"CAME-TV CAME-Single is currently my preferred gimbal. Very easy to use and adjust."
We were honored to find out that he was using our CAME-Single gimbal while testing out the new Sony A7sII with great results.
In the article, Johnnie explains the main advantages of the Sony a7SII from the original a7s:
- "Internal UHD 4K recording
- S-log 3 (in addition to S-log 2)
- Gamma Display Assistant (allows you to monitor your flat S-log 2 or 3 image in a more vivid Rec 709 way)
- Internal IBIS stabilisation system (5-Axis SteadyShot)
- A possibility to charge the camera via the USB port
- A possibility to assign “REC” to other buttons than the awkwardly placed rec button
- 100fps (PAL), 120fps (NTSC) in HD quality"
He also explains his most noticeable differences from comparing the Sony a7S II to the a7R II:
- "The addition of S-log 3
- Up to 120fps in full HD (compared to 60fps)
- Gamma Display Assist
- Sony’s a7S II is cleaner in low-light situations compared to the a7R II
- Because of its higher pixel count, the Sony a7R II can shoot in APS-C S35 crop-mode in 4K. The a7S II can not do that. Further more, any APS-C lens that will be attached to this camera will have strong vignetting at the edges in 4K-mode (APS-C mode is limited to HD resolutions)."
For more information on the CAME-Single Gimbal click below!